Chapter 14 Getting a Great Matte
Chapter 15 Color Balancing the Subject and Background
Chapter 16 Fixing Problem Green Screen Shots
Chapter 17 Working with Virtual Sets
Chapter 18 Motion Tracking and Matchmoving
This is where it all comes together. You’ve shot your green screen footage, and you’re ready to start compositing. Or are you? It’s just as important to be familiar with the material in this part of the book before you start planning your project as it is to know how to light your subjects or create a storyboard. If you can avoid the pitfalls of poor production before you get to the postproduction compositing stage, then you’ve made your life a whole lot easier. Of course, ...
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