Acknowledgements

My many students over the years around the world, who have been and continue to be the source of great inspiration and motivation; my friend Wes Anderson, who taught me how to let go of my stodgy old ways; Mira Nair, who encouraged me to mentor a new generation of East African filmmakers and offer camera craft workshops in far flung places; Carlin Reagan and Dennis McGonagle, the gentle disciplinarians at Focal Press, who exercised almost godlike patience waiting for this manuscript; Donald Lampasome, Don Milano, Tim Kolb, Jason Osder, and Jack James, who offered thoughtful suggestions and advice during the review process; Doug Leighton from Panasonic in the United States and the amazing and charming Janet Lam from Panasonic ...

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