ACKNOWLEDGMENTS

I would like to acknowledge the generous help and support from everyone who has contributed to this project. In particular, I would like to thank Steven Heller for suggesting my involvement in the first place. I also owe a considerable debt to my editor, Emily Potts, for her highly professional and thoughtful guidance. The coordination of the all the reproductions and rights could not have been accomplished without the work of Renae Haines and all the folks at Rockport Publishers. The staff of the libraries of the School of Visual Arts and Bard College could not have been more helpful. Nanette Fluhr was extremely kind to do a demonstration of underpainting technique, and Michael Lynn Adams was generous in providing his immaculate ...

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