Acknowledgements
I am grateful to Focal Press for giving me this opportunity, and my thanks to the Halas and Whitaker families for their cooperation. Also to Katy Spencer for heading the effort. I’d like to express my gratitude to Disney/PIXAR Studios, Barry Weiss and SONY/Imageworks, PBS (WGBH/Cookie Jar), Gregg and Evan Spiridellis of Jibjab; John Hughes and Matt Derksen, Joe Ksander, Seth Cobb and Jaqueline Rosado of Rhythm & Hughes Studio. I’d also like to note a number of top animation professionals whose advice, particularly on the differences between traditional animation drawing and 3D Digital techniques, has been extremely helpful. Namely Mark Farquhar, Dan Lund, Kevin O’Neill, Steve Wood, Paul Teolis, David Valera, Robert Crawford, ...
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