The Technique of Film and Video Editing, 4th Edition

Table of contents

1. Front Cover
2. Half Title
3. Title Page
4. Copyright
5. Contents
6. Acknowledgments for the Fourth Edition
7. Acknowledgments
8. Introduction to the Fourth Edition
9. Introduction
10. I HISTORY OF FILM EDITING
    1. 1 The Silent Period
    2. 2 The Early Sound Film
    3. 3 The Influence of the Documentary
    4. 4 The Influence of the Popular Arts
    5. 5 Editors Who Became Directors
    6. 6 Experiments in Editing: Alfred Hitchcock
    7. 7 New Technologies
    8. 8 International Advances
    9. 9 The Influence of Television and Theatre
    10. 10 New Challenges to Filmic Narrative Conventions
    11. 11 The MTV Influence on Editing I
    12. 12 The MTV Influence on Editing II
    13. 13 Changes in Pace
    14. 14 The Appropriation of Style I: Imitation and Innovation
    15. 15 The Appropriation of Style II: Limitation and Innovation
    16. 16 The Appropriation of Style III: Digital Reality
11. II EDITING FOR THE GENRE
    1. 17 Action
    2. 18 Dialogue
    3. 19 Comedy
    4. 20 Documentary
    5. 21 Imaginative Documentary
    6. 22 Innovations in Documentary I
    7. 23 Innovations in Documentary II
    8. 24 Ideas and Sound
12. III PRINCIPLES OF EDITING
    1. 25 The Picture Edit and Continuity
    2. 26 The Picture Edit and Pace
    3. 27 The Sound Edit and Clarity
    4. 28 The Sound Edit and Creative Sound
    5. 29 Innovations of Sound
    6. 30 Nonlinear Editing and Digital Technology I
    7. 31 Nonlinear Editing and Digital Technology II
    8. 32 Conclusion
13. Appendix A: Filmography
14. Glossary
15. Selected Bibliography
16. Index