Preface

A decade or so ago, Sound On Sound magazine introduced a new regular column to its pages in which I, Paul White, Editor-In-Chief and our Technical Editor Hugh Robjohns, visited SOS readers’ studios in person to help solve their specific recording, monitoring and acoustics problems. Studio SOS, as we titled the column, proved to be a hugely popular addition to the magazine, and revealed to us many of the most common studio problems and misconceptions that our readers were encountering. Taking the concept of hands-on help a bit further, we subsequently added the equally successful Mix Rescue regular column to the line-up, in which we take the multitrack files of readers’ songs to remix them ourselves, allowing us to describe the artistic ...

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