THIS BOOK WOULD NOT have been possible without the support and guidance of many friends, colleagues, and family members. In particular, I want to thank Jack Reilly for his unflinching assessments of early drafts, and thoughtful suggestions. My editor at Focal Press/Routledge, Emily McClosky, was a superb resource as we developed ideas for the book. And my thanks go to Dave Williams, editorial assistant at Focal Press/Routledge, for all of his help with this project. And my grateful thanks also to Helen Lund, copy editor, for her eagle eye. Additional input was provided by sound recordists Jonathan Cohen and Lance Wells, producer Bruce Himmelbrau, and editing gurus Alex Gollner and Luisa Winters. I very much appreciate the ideas ...
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