For several years, a great deal of confusion has surrounded green screen and blue screen production. People tend to ask the same questions regarding lighting, background materials, shooting, and compositing techniques:
When should I use green or blue screen?
What kind of materials should I use?
What can I use to light the green screen?
What kind of cameras should I use?
What should I use to composite my green screen footage?
How do I fix bad green screen shots?
In addition to my many years of experience in blue screen and green screen production, I've done a great deal of research on the topic to dig into the history of compositing, testing products, and running through every kind of workflow and technique I could to answer these questions ...