Book description
Every film or video shoot calls for at least two camera assistants. Camera assistants (or first and second ACs, as they're known) have the important job of maintaining the camera, readying it for use, troubleshooting (such as knowing what to do when a camera drops into the ocean), and preparing it for transport. The Camera Assistant's Manual teaches the complete workflow in easy-to-understand terms and does not assume prior knowledge. It is a must-have on the set for camera assistants and is loaded with reference material such as camera illustrations, forms, charts, checklists, and equations. Invaluable career advice rounds out the book.
Table of contents
- Cover
- Half Title
- Title Page
- Copyright
- Dedication
- Contents
- Preface
- Acknowledgments
- Introduction
- 1. Basics of Cinematography
- 2. The Camera Department
-
3. Second Camera Assistant
- Pre-Production
-
Production
- Start of the Day Procedures
- Camera Reports
- Recording Shot Information
- Magazines
- Loading Magazines
- Unloading Magazines
- Using a Changing Bag or Changing Tent
- Setting Up the Camera
- Marking Actors
- Slates
- Slating Procedures
- Changing Lenses, Filters, and Magazines
- Using a Video Tap and Monitor
- Preparing Exposed Film for Delivery to the Lab
- Film Inventory and Record of Film Shot
- Ordering Additional Film Stock
- Storage and Care of Motion Picture Film
- Film, X-Rays, and Carrying Film on Planes
- Shipping Film (Exposed and Unexposed)
- Distribution of Reports
- Record Keeping and Filing of Paperwork
- Performing the Duties of First Camera Assistant
- Packing Equipment
- Tools and Accessories
- Working in Video/HD
- 2nd A.C. Tips
- Post-Production
- Resources
- 2nd A.C. Review Checklist (Clapper/Loader)
-
4. First Camera Assistant
- Pre-Production
-
Production
- Start of the Day Procedures
- Loading and Unloading Film in the Camera
- Keeping the Camera Clean
- Oiling and Lubricating the Camera
- Setting the Viewfinder Eyepiece
- Checking for Lens Flares
- Lenses
- Depth of Field
- F-Stops and T-Stops
- Changing Lenses and Filters
- Focus Measurements and Following Focus
- Focusing Tips
- Zoom Lens Moves
- Footage Readings
- Checking the Gate
- Moving the Camera
- Performing the Duties of Second Camera Assistant
- Packing Equipment
- Tools and Accessories
- Using Computers
- Working in Video/HD
- 1st A.C. Tips
- Post-Production
- Resources
- 1st A.C. Review Checklist
-
5. Problems and Troubleshooting
- Camera will not run
- Battery loses power
- Lens will not focus
- Camera does not stop when switched to “off”
- Camera starts and stops intermittently
- Camera is noisy
- Magazine is noisy
- Shutter does not spin (No flicker through the viewfinder)
- You are unable to thread film into the gate area
- Film does not take up
- Camera door does not close
- Camera stops while filming
- Film jams in camera
- Film rips or has torn perforations
- Film loses loop
- There are scratches on the film
- Camera does not run at sync speed
- Viewing system is blacked out
- Lens flares are seen when looking through the viewfinder
- Zoom lens motor runs erratically
- Zoom lens does not zoom throughout its entire range of focal lengths
- Tripod head does not pan or tilt
- Tripod legs do not slide up and down
- The image on the video monitor is out of focus or tilted to the side
- Shooting in extreme cold weather
- Shooting in extreme heat
- When filming in or around salt water, the camera and magazine fall into the water
- A fuse blows when connecting electrical accessories
- Shooting outside using tungsten-balanced film without an 85 filter to correct the exposure
- Shooting inside with tungsten light daylight-balanced film and no 80A filter for correction
- When shooting a television monitor or computer screen, a roll bar moves through the screen
- Projected image is shaky or unsteady
- Projected image is out of focus
- Shooting in other countries
- Troubleshooting Tips
-
6. Cameras
- Aaton A-minima
- Aaton XTR prod
- Aaton 35
- Arriflex 16BL
- Arriflex 16S/SB
- Arriflex 16 SR1, 16 SR2 AND 16 SR3
- Arriflex Arricam Lite (LT)
- Arriflex Arricam Studio (ST)
- Arriflex 535A and 535B
- Arriflex 435
- Arriflex 35BL3 and 35BL4
- Arriflex 35-3
- Arriflex 2-C
- Arriflex 765
- Bell & Howell Eyemo
- Cinema Products CP16
- Eclair ACL
- Eclair NPR
- Image 300
- Krasnogorsk K-3
- Leonetti Ultracam
- Mitchell BNC
- Moviecam Compact and Moviecam Super America
- Moviecam SL
- Panavision Panaflex 16
- Panavision Panaflex Golden and GII
- Panavision Panaflex Millennium
- Panavision Panaflex Platinum
- Panavision Panaflex X
- Panavision Panastar I and Panastar II
- Panavision Super PSR
- Panavision Panaflex 65
- Panavision 65 mm High Speed
- Panavision 65 mm Hand Held
- Photo-Sonics Actionmaster 500
- Photo-Sonics 1VN
- Photo-Sonics NAC E-10
- Photo-Sonics 35-4B/4C
- Photo-Sonics 35-4E/ER
- Photo-Sonics 35-4ML
- 7. Before, During, and After the Job
- Appendix A Film Stock
- Appendix B Equipment
- Appendix C Camera Department Checklists, Production Forms, and Labels
- Appendix D Tools and Accessories
- Appendix E Tables and Formulas
- Recommended Reading
- Glossary
- Index
Product information
- Title: The Camera Assistant's Manual, 4th Edition
- Author(s):
- Release date: January 2005
- Publisher(s): Focal Press
- ISBN: 9781136048814
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