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The Art of Critical Making: Rhode Island School of Design on Creative Practice by John Maeda, Mara Hermano, Rosanne Somerson

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Illustrations

1 Laura Kishimoto (BFA 2013 Furniture Design), Medusa, 2013, acrylic and aluminum rivets, 5 × 12 × 12 in.
2 Daniel Cho (BFA 2015 Industrial Design), Visual Illusion, 2012, found objects and spotlight, installation view and inspiration (poster image: Robert Doisneau, Musician in the Rain, 1957)
3 Anthony Dahut (BFA 2015 Furniture Design), First Person, Singular (installation view and detail), 2012, video projection and brush PHOTO OF BRUSH: ERIK GOULD
4 Anna Riley (BFA 2014 Glass), Set in the City (details), 2010, wood, Plexiglas, graph paper, ink, mechanized arm, and spotlight, dimensions variable (12 platforms, each 12 × 12 in.)
5 Eun Sang (Ernie) Lee (BFA 2015 Furniture Design), Color Play, 2008, gouache on paper mounted to book board covered with book cloth
6 Eun Sang (Ernie) Lee, Untitled, 2011
7 Adam Gault and Stefanie Augustine (BFA 1999 Film/Animation/Video and BFA 1999 Illustration), The Gettysburg Address (stills), 2010, black-and-white animation, 3:05 minutes
8 Seth Snyder (BFA 2008 Industrial Design) on a “blind walk,” Providence, 2008
9 Margaret Kearney (BFA 2013 Textiles), Weaving Detroit, 2012, wool, cotton, rayon, metallic thread, 72 × 54 in.
10 Michael Mergen (MFA 2011 Photography), Jury Room 706, Tulsa, OK, 2010, from the series “Deliberate,” archival pigment print, 16 × 16 in.
11 Michael Mergen, Ceremony, Room #1, New York, NY, 2011, from the series “Naturalization,” archival pigment print, 16 × 16 in.
12 Brittany Bennett (BFA 2011 Textiles),

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