Book description
Television Field Production and Reporting provides an exciting introduction to the art of visual storytelling. Endorsed by the National Press Photographers Association, it focuses on the many techniques and tools available in television today.
The new edition of Television Field Production and Reporting will be 4-color for the first time, an absolute must in this visually oriented, rapidly changing field..
Table of contents
- Cover
- Title Page
- Copyright Page
- Dedication
- Table of Contents
- Preface
- About the Authors
- Introduction
-
Chapter 1 Telling the Visual Story
- Through Stories we Share Human Experience and Understanding
- The Differences between Visual Stories and Reports
- Heart. Emotion. Demeanor
- Placing the Human Perspective in Perspective
- The Value of Pictorial Narrative
- Silence as a Writing Tool
- The Silent Languages of the Senses
- Putting it all Together
- Culture Impacts Perception
- How to Plan the Visual Story
- The Best Stories Convey a Sense of Progression
- Find Images that Convey a Clear Story Focus
- Write the Pictures First
- Reportorial Editing
- Working as Part of a Team
- Prove the Story's Focus Visually
- The Focus May Change
- Look for a Story Focus in Spot-News Events
- Tell your Story through People
- Strong Natural Sound Helps Tell the Story
- Build in Surprises
- Keep Sound Bites Short
- Address the Larger Issue
- Challenge your Focus Statement
- Video Packages are Factual Mini-Movies
- The Lead
- Provide Visual Proof for all Main Points
- The Close
- Be Hard on Yourself as a Writer
- Write from the Visuals
- Look for a Story While Capturing Uncontrolled Action
- Look for the Larger Story
- Summary
- Key Terms
- Discussion
- Exercises
- Notes
-
Chapter 2 the Visual Grammar of Motion Picture Photography
- The Shot
- The Sequence
- Basic Shots
- Long Shot
- Medium Shot
- Close-Up
- How the Basic Shots Work Together
- Camera Movement
- Pan
- Moving Shot
- Combination Shot
- Tilt Shot
- Tracking Shot
- Trucking Shot
- Dolly Shot
- Changes in Camera Perspective
- Stabilization of Shaky Images
- Shots that Help Tell the Story
- One Shots to Crowd Shots
- Master Shot with Cut-Ins
- Overlapping Action
- Matched-Action Sequences can be Shot in Spot News
- Jump Cuts
- The Cutaway
- The Motivated Cutaway
- The Transition or Reveal Shot
- Using Camera Movement to Enhance Storytelling
- Point-of-View Movement
- Thinking Camera
- Screen Direction
- How to Avoid the False Reverse
- Vary Camera Angles
- Photograph People at Eye Level
- Angles Provide Psychological Impact
- Contrast and Comparison
- Composition
- Summary
- Key Terms
- Discussion
- Exercises
- Notes
-
Chapter 3 Video Editing: The Invisible Art
- Editing is Another Writing Tool
- Toward a Philosophy of Editing
- Everyone is an Editor
- The Cut
- Choosing Edit Points
- There can be No Matched Action without Overlapping Action
- Cutting on Action or at Rest
- Into-Frame/Out-of-Frame Action
- Jump Cuts
- Pop Cuts
- Devices to Compress Time and Advance the Action
- Parallel Cutting
- Shot Order Impacts the Illusion of Continuity
- Content Dictates Pace
- Cutting to Condense Time
- Composition Affects Pace
- Screen Direction
- Editing to Eliminate the False Reverse
- The Transition Shot
- Sound as a Transitional Device
- Cold Cuts
- Flash Cuts
- Cutting to Leave Space for Audience Reaction
- Communication Pays
- Dissolves and Other Optical Effects
- Summary
- Key Terms
- Discussion
- Exercises
- Notes
-
Chapter 4 Shooting Video in the Field
- Composition Guidelines
- The Rule of Thirds
- Pointers for Wide Screen Composition
- Use a Tripod Whenever Appropriate
- The Handheld Camera
- Balance the Camera
- Use a Wide Stance
- Control Breathing
- Preplan Body Movement
- Walk in Lockstep
- Avoid Unplanned Camera Movement
- How to Use the Zoom Lens
- Avoid Calling Attention to the Zoom
- Adjust Speed and Duration of Zoom to Story Mood and Pace
- Recompose the Shot as You Zoom
- Storytelling and Planning
- Establish Communication in the Field
- Think before You Shoot
- Shoot Sequences
- Shoot and Move
- Anticipate Action
- Shoot Only the Shots You Need
- Avoid Indiscriminate Shooting
- Edit in the Camera
- Shoot to Eliminate the False Reverse
- Involve the Camera in the Action
- Working with People
- Avoid Distracting the Subject
- Staging Versus Motivating
- The One-Person Band
- How to Shoot and Conduct Interviews Simultaneously
- How to Photograph Your Own Standup
- Shooting in Cold Weather
- Safety First
- Distancing
- Safety in Numbers
- Plan to Make Mistakes
- On Returning to the Station
- Summary
- Key Terms
- Discussion
- Exercises
- Notes
-
Chapter 5 Writing with Light
- Photography is the Art of Controlling Light
- Light-Mounted Filters
- Mixing Light Sources
- Basic Lighting Patterns
- The Role of Artificial Light
- Key Light
- Contrast Control
- The Inverse-Square Law of Light
- Backlight
- Broadlighting and Short Lighting
- Lighting for High Definition
- Flat Lighting
- Light Diffusion
- Bounce Lighting
- Eye Reflections
- Exposure
- Essential Lighting Equipment
- Lighting in Sunlight
- How to Light a News Conference
- Setting up Lights in Cooperation with Other Crews
- Lighting Etiquette
- Lighting Spot News at Night
- Photographing Subjects with Dark Skin
- Large-Scale Lighting
- Cautions
- Summary
- Key Terms
- Discussion
- Exercises
- Notes
-
Chapter 6 the Sound Track
- How Microphones Work
- Directional Patterns
- On Choosing a Mike
- Impedance
- Frequency Response
- Microphones for the Video Journalist
- The Wireless Transmitter-Receiver
- The Mixer
- Essential Points for Audio
- Techniques to Reduce Wind Noise
- Be Aggressive
- The Microphone Hears Differently
- Sound Perspective
- Stereo and Surround Sound
- Covering News Conferences
- Recording Group Discussions
- The Two-Person Interview
- Record Room Tone
- The Seductive Quality of Nat Sound
- Watch What You Say
- Sound and Video Accessories
- Summary
- Key Terms
- Discussion
- Exercises
- Notes
-
Chapter 7 The Video Interview
- Establish Trust
- Practice Good Manners
- The Most Important Interview Question
- Save Your Questions for the Interview
- Do Your Homework
- How to Frame Interview Questions
- Use a Wireless Microphone
- The Art of Listening
- Avoid the Easy Questions
- Avoid Two-Part Questions
- “How Do You Feel?”
- Anticipate Questions the Viewers Would Ask
- Practice the Fine Art of Hesitation
- Pitch Reporting Opportunities
- Prearrange Signals between Reporter and Photographer
- How to React without Appearing to Agree
- Retain Control of the Interview
- Interviewing Children
- The Talking Head
- Influencing how Viewers Perceive the Subject
- One-Eyed Talking Heads
- Body Language
- After the Interview is Over
- Interviews Allow Reporting through Direct Observation
- Summary
- Key Term
- Discussion
- Exercises
- Notes
- Chapter 8 Video Script Formats
- Chapter 9 Writing the Package
- Chapter 10 Write like a Storyteller
- Chapter 11 Video Journalism
-
Chapter 12 How to Improve Your Storytelling Ability
- Seek Gradual Improvement
- Have a Story
- Involve the Camera
- Sequences Advance the Story
- Don'T Try to Show All of New Zealand
- Pursue Your Interest in People
- Motivate Viewers to Watch
- Develop Video Fluency
- Know the Community
- Curiosity Pays
- See beyond the Obvious
- Show Audiences What they Missed
- Help Viewers Experience the Story as You Did
- Adapt Your Reporting to Story Demands
- Reporting the Nonvisual Story
- Personal Appearance and Conduct
- Etiquette
- Shooting and Reporting Spot News
- Toward a News Philosophy
- Summary
- Key Terms
- Discussion
- Exercises
- Notes
-
Chapter 13 Live Shots and Remotes
- What Does It Take to “Go Live”?
- Spot News
- Television Live Shot Formats
- Narration
- Helicopter Live Shots
- Live in the Newsroom
- Live Graphics
- Live/Anchor Intros
- Reporter Close
- Anchor Close
- Why Go Live?
- Why Not Go Live?
- Live Phoners
- Live Teases
- Some Parting Advice
- A Final Thought
- Summary
- Key Terms
- Exercises
- Chapter 14 Law and the Digital Journalist
-
Chapter 15 Journalistic Ethics
- Definition of Ethics
- Effects of Competition
- Situational Ethics
- Licensing
- Contract with the Public
- At Issue: Image Manipulation
- Case Studies in Ethical Dilemmas
- Reverse-Angle Questions
- Staged News Events
- Reenactments
- File Video
- Material Provided by outside Sources
- Toward an Individual Code of Ethics
- Summary
- Key Terms
- Discussion
- Exercises
- Discussion of Ethical Conflict Situations
- Notes
- Appendix A Shooting Video
-
Appendix B Improving Performance in Field Reporting
- Develop Qualities that Make You Interesting and Interested
- Reasons for Standups
- Seek Reaction
- Communicate What You Feel about the Story
- Delivering from the Studio
- Put Experience into Your Reports
- Multidimensional Reporting
- Marking Copy
- Learn How to Relax
- Develop Conversational Delivery
- Your Appearance
- Field Lighting for Hdtv
- Let the Audience Know You as a Friend
- Impact How People Perceive Your Interview Sources
- Posture Matters
- Split-Focus Presentation
- The Anchor Debrief
- When You are before the Camera
- How Reporters Evolve into Anchors
- Summary
- Key Terms
- Notes
-
Appendix C the Assignment Editor and Producer
- The Assignment Editor
- Assignment Editors Help Conceptualize the Package
- The Producer
- Toward a News Philosophy
- Teases
- Help Make the Station a Regional Force
- Improve Audio-Video Linkage
- Visuals
- Freshen File Video
- Use Talking Heads with Purpose
- Weather and Sports
- Summary
- Key Terms
- Discussion
- Exercises
- Notes
- Glossary
- Credits
- Index
Product information
- Title: Television and Field Reporting, 6th Edition
- Author(s):
- Release date: September 2015
- Publisher(s): Focal Press
- ISBN: 9781317343660
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