Making a Prop Tape Player Cueable

Jonathan Cardone

The sound quality of an inexpensive cassette tape player was a key element in a production of Antgone in New York at the Yale Repertory Theatre. Wanting to make a prop tape player sound as realistic as possible without sacrificing cueing or volume control, Sound Designer Kevin Hodgson came up with the idea of putting a wireless receiver in the tape player that the actors would use and transmitting a signal to it from the sound board. The wireless unit we found, the NADY 151 VR, is primarily used as a remote sound pickup for video camcorders. The NADY package contains two parts: a radio transmitter with a small lavalier mic, and a receiver with both line-level and headphone output jacks. I ...

Get Technical Design Solutions for Theatre now with the O’Reilly learning platform.

O’Reilly members experience books, live events, courses curated by job role, and more from O’Reilly and nearly 200 top publishers.