Introduction
The reader is welcome to jump immediately to the chapter dedicated to whichever effect is on their mind. However, the value of all chapters in Sections 2, 3 and 4 is best realized by reading first the material in Section 1. Master the concepts, both fundamental and advanced, in Section 1, and you are then prepared to crack open any of the Amplitude Effects of Section 2 or the Time Effects of Section 3. Presented in a logical order, Amplitude Effects and Time Effects needn′t be read in strict sequence.
The discussion in Section 4 integrates these effects in important applications, from a general mixdown, to the all-important snare drum. That is best saved until after each effect family has been mastered individually, so the preferred ...
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