PREFACE

With the publication of every new edition of this book we have taken another few steps in the shift from silver halide photography to modern digital imaging. Indeed, the first edition in 1993 failed to even mention the advent of ‘electronic imaging’ as it was then known.

But now plenty of photographers, including those featured in this book, are making use of digital technology in one way or another. In the last edition, I said we were ‘standing on the brink of the digital imaging revolution’. That revolution is now establishing itself at an ever-accelerating pace, going beyond digital press work and high-end studio systems, to commercial location work, including interiors. Even film giant Fuji ran a recent advertising campaign with the ...

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