Book description
Guiding you through the history and emergence of modern mastering techniques, then providing practical hints and tips on how to use them in your set up, Practical Mastering is the book for anyone interested in tackling this elusive art form. Providing you with sold mastering theory underpinned by years of professional experience and hands-on advice for getting the most out of your set up while honing your ears to efficiently and effectively listen to your mixes in order to create perfectly polished master tracks.
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Table of Contents
- About the Authors
- Dedication
- Acknowledgments
- Chapter 1 Introduction
-
Chapter 2 Mastering Tools
- 2.1 Introduction
- 2.2 The Digital Audio Workstation (DAW)
- 2.3 A/D and D/A Converters and the Importance of Detail
- 2.4 Monitoring
- 2.5 Mastering Consoles
- 2.6 Project Studio Mastering
- 2.7 Project Studio Mastering Software
- 2.8 Mastering Plug-Ins
- 2.9 An Introduction to M/S Processing
- 2.10 M/S Tools
- 2.11 Essential Improvements for Project Studio Mastering
-
Chapter 3 Mastering Objectives
- 3.1 Introductory Concepts
- 3.2 Flow
- 3.3 Shaping
- 3.4 Listening
- 3.5 Confidence
- 3.6 Making an Assessment and Planning Action
- 3.7 Assessing Frequency
- 3.8 Assessing Dynamics
- 3.9 Assessing Stereo Width
- 3.10 Assessing Perceived Quality
- 3.11 The Mastering Process
- 3.12 Capture
- 3.13 Processing
- 3.14 Sequencing
- 3.15 Delivery
- Chapter 4 Controlling Dynamics
-
Chapter 5 Refining Timbre
- 5.1 An Introduction to Timbre
- 5.2 Decoding Frequency Problems
- 5.3 Notions of Balance – Every Action having an Equal and Opposite Reaction
- 5.4 Types of Equalizer
- 5.5 A Journey Through the Audio Spectrum
- 5.6 Strategies for Equalization
- 5.7 Selective Equalization – The Left/Right and M/S Dimension
- 5.8 Subtle Colouration Tools
- 5.9 Extreme Colour – The Multiband Compressor
- 5.10 Exciters and Enhancers
-
Chapter 6 Creating and Managing Loudness
- 6.1 Introduction: A lust for Loudness
- 6.2 Dynamic Range in the Real World
- 6.3 All Things Equal? The Principles of Loudness Perception
- 6.4 Loudness, Duration and Transients
- 6.5 Loudness and Frequency
- 6.6 The Excitement Theory
- 6.7 The Law of Diminishing Returns
- 6.8 Practical Loudness Part 1: What you can do Before Mastering
- 6.9 Practical Loudness Part 2: Controlling Dynamics Before you Limit Them
- 6.10 Practical Loudness Part 3: Equalizing for Loudness
- 6.11 Practical Loudness Part 4: Stereo Width and Loudness
- 6.12 Practical Loudness Part 5: The brick-Wall Limiter
- 6.13 The Secret Tools of Loudness – Inflation, Excitement and Distortion
- Chapter 7 Controlling Width and Depth
- Chapter 8 Crafting a Product
-
Chapter 9 Delivering a Product
- 9.1 Introduction
- 9.2 Preparation
- 9.3 International Standard Recording Code (ISRC)
- 9.4 The PQ Sheet
- 9.5 Barcodes (UPC/Ean)
- 9.6 Catalog Numbers
- 9.7 Other Encoded Information
- 9.8 CD-Text
- 9.9 Pre-Emphasis
- 9.10 SCMS
- 9.11 Delivery File Formats
- 9.12 DDPi and MD5 Checksums
- 9.13 CDA as Master? Duplication V. Replication
- 9.14 Mastering for MP3 and AAC
- 9.15 Delivery
- 9.16 Final Checks
- Chapter 10 DAW Workflow
- Chapter 11 Conclusions
- Index
Product information
- Title: Practical Mastering
- Author(s):
- Release date: August 2013
- Publisher(s): Routledge
- ISBN: 9781136113734
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