Photoshop Elements lets you do practically anything you want to digital images. You can colorize black-and-white photos, remove demonic red-eye stares, or distort the facial features of people who’ve been mean to you. The downside is that all those options can make it tough to find your way around Elements, especially if you’re new to the program.
This chapter helps get you oriented. You’ll learn what to expect when you launch the program and how to use Elements to fix photos with just a couple of keystrokes. You’ll also learn how to use Guided Edit mode to get started editing photos. Along the way, you’ll find out about some of Elements’ basic controls and how to get to the program’s Help files.
Elements 11 is quite different from the previous versions of the program, so even if you’re an Elements veteran, you’ll want to read this chapter to get oriented. Much of the rest of the book may confuse you if you don’t understand what’s covered in this chapter.
Unlike some past versions of Elements, you launch Elements 11 pretty much the same way on both Mac and Windows computers.
In the Mac version, you can launch Elements as the last step in the installation process (Installing Elements on a Mac explains how to install Elements), or you can go to Applications→Adobe Photoshop Elements 11 and double-click its icon there. (Incidentally, the only other thing in there besides the uninstaller is a folder called Support Files. That’s where you’ll find the actual Editor application.) If you want to make a Dock icon for future convenience, start Elements and then go to the Dock and click the program’s icon. Keep holding the mouse button down till you see a menu, and then choose Options→Keep in Dock.
People complained for years about the dark color scheme in Elements. Adobe has finally switched back to a lighter, easier-to-read version. Unfortunately, if you preferred the darker look, there’s no way to change back to it.
When you launch Elements for the first time, you’re greeted by the Welcome screen (Figure 1-1).
Figure 1-1. Elements’ Welcome screen. The images at the bottom are dynamic, meaning they change every three seconds or so, but the buttons at the top and the gear icon for the settings are always the same.
The Welcome screen is a launchpad that lets you choose which part of Elements you want to use:
Organizer button. This starts the Organizer, which lets you store and organize your image files.
Photo Editor button. Click this to start the Editor, which lets you modify images.
You can easily hop back and forth between the Editor and the Organizer—which you can think of as the two halves of Elements. But in some ways, they function as two separate programs. For example, if you start in the Organizer, then once you pick a photo to edit, you have to wait a few seconds while the Editor loads. And when you have both the Editor and the Organizer running, quitting the Editor doesn’t close the Organizer—you have to close both parts of Elements independently.
At the bottom center of the Editor’s main window is a button that you can click to launch the Organizer or switch over to it if it’s already running. If you want to do the opposite—get photos from the Organizer over to the Editor—select the photo(s) and then click the Editor button at the bottom of the screen, or right-click/Control-click one of the selected thumbnails and choose “Edit with Photoshop Elements Editor.” Either way, your photo(s) appear in the Editor so you can work on them. Once both programs are running, you can also just click the Editor’s or the Organizer’s icon in the Windows taskbar or the Mac Dock to switch from one to the other.
One helpful thing to keep in mind is that Adobe built Elements around the assumption that most people work on their photos in the following way: First, you bring photos into the Organizer to sort and keep track of them. Next, you open photos in the Editor to work on them, and then save them back to the Organizer when you’ve finished making changes. You can work differently, of course—by opening photos directly in the Editor and bypassing the Organizer altogether, for example—but you may feel like you’re always swimming against the current if you choose a different workflow. (The next chapter has a few hints for disabling some of Elements’ features if you find that they’re getting in your way.)
The Organizer is where your photos come into Elements and go out again when it’s time to print, edit, or email them. The Organizer catalogs and keeps track of your photos, and you automatically come back to it for many activities that involve sharing photos, like emailing them (Emailing Photos) or creating an online gallery of them (Online Albums). The Organizer’s main window (Figure 1-2) lets you view your photos, sort them into albums, and assign keyword labels to them.
Figure 1-2. The all-new Organizer, which lets you arrange and sort photos by the people, places, and events they represent, in addition to using keyword tags and categories. This is the Media room, which is where your photos go when you first import them to the Organizer. (Adobe calls the different areas of the Organizer “rooms” now.)
The Organizer got a complete makeover in Elements 11, so even if you’ve used the Organizer before, it’s pretty much a whole new ballgame this time. The next chapter shows you how to use the Organizer to import and organize photos, and online Appendix B covers all the Organizer’s different menu options (head to www.missingmanuals.com/cds). However, it’s important to understand that you don’t have to use the Organizer if you don’t want to. Lots of people don’t, for a variety of reasons. Using the Organizer explains some of the arguments for and against it.
Elements has yet another component that you may have seen already if you’ve plugged a camera into your computer after installing Elements: the Photo Downloader (Figure 1-3), which helps get photos into the Organizer directly from your camera’s memory card.
Figure 1-3. Adobe’s Photo Downloader is yet another program you get when you install Elements. Its job is to pull photos from your camera (or other storage device) into the Organizer. To use the Downloader in Windows 7 or Vista, just click “Organize and Edit using Adobe Elements Organizer 11.0” (circled) when this AutoPlay dialog box appears. (If you use Windows XP, you’ll see a dialog box with similar options.) After the Downloader does its thing, you end up in the Organizer.
On a Mac, you launch the Downloader from the Organizer by going to File→“Get Photos and Videos”→“From Camera or Card Reader.” There’s no way to make the Downloader run automatically on a Mac—you have to go through the Organizer to start it.
You can read more about the Downloader in Chapter 2. If you plan to use the Organizer to catalog photos and assign keywords to them, then reading the section on the Downloader (The Photo Downloader) can help you avoid hair-pulling moments.
The Editor is the other main component of Elements. This is the fun part of the program, where you get to adjust, transform, and generally glamorize photos, and where you can create original artwork from scratch with drawing tools and shapes.
Quick Fix. For many Elements beginners, Quick Fix (Figure 1-4) ends up being their main workspace. It’s where Adobe has gathered together the basic tools you need to improve most photos. It’s also one of the two places in Elements where you can choose to have a before-and-after view while you work (the other is Guided Edit, described next). Chapter 4 gives you all the details on using Quick Fix. The first time you launch the Editor, you start out in Quick Fix mode.
Guided Edit. This window can be a big help if you’re a newcomer to Elements. It provides step-by-step walkthroughs of popular projects such as cropping photos and removing blemishes from them. It also hosts some fun special effects and workflows for more advanced users (see Special Effects in Guided Edit).
Expert Mode. This mode gives you access to Elements’ most sophisticated tools. You have far more ways to work on your photo in Expert Mode than in Quick Fix, and if you’re fussy, it’s where you’ll do most of your retouching work. Most of the Quick Fix commands are also available via menus in the Expert Mode window (shown in Figure 1-5).
Figure 1-5. The main Elements editing window, which Adobe calls Expert Mode. This is where you have access to all of Elements’ editing features. This shows what you see on first entering the Custom Workspace, explained in the next section. You can customize your workspace quite a bit from this starting point.
Use the Quick, Guided, and Expert tabs at the top of the Elements window to switch modes. The rest of this chapter covers some of the Editor’s basic concepts and key tools.
If you leave a photo open in the Editor, then when you switch back to the Organizer, you’ll see a red band with a padlock across the photo’s Organizer thumbnail as a reminder. To get rid of the lock and free up your image for Organizer projects, go back to the Editor and close the photo there.
In Elements 11, once you click over to Expert Mode (click the tab at the top of the Editor to get there), you may be pretty puzzled as to how to proceed. There’s a toolbox on the left, a row of icons across the bottom of the screen—and that’s pretty much it. If you’ve ever used Elements before, you may be asking, “Where did everything go?” Not to worry. It’s all still there, but you need to know how to make things work.
Expert Mode starts out in what Adobe calls the Basic Workspace, a new design that it hoped would be less confusing to beginners (Figure 1-6). On the left side of the screen is a double-columned toolbox. When you open a photo, a small thumbnail version of it appears in the area near the bottom of the window. This area is called the Photo Bin. However, what you see in this area changes depending on what you’re doing. When you activate one of Elements’ tools, this area is taken over by the Tool Options, where you see the settings for the tool you’re currently using (more about that on The Photo Bin/Tool Options Area).
Figure 1-6. When you first use the Editor in Expert Mode, the window looks like this, which Adobe calls the Basic Workspace. The buttons at the bottom right (circled) let you switch from one panel to another. You can see only one panel at a time, which is one reason why most folks prefer to use the Custom Workspace shown in Figure 1-5. It’s explained in the next section.
At the bottom right of the screen are a series of buttons labeled Layers, Effects, Graphics, Favorites, and More. The first four are the names of Elements’ most-used panels. Panels let you do things like keep track of what you’ve done to a photo (with the History panel) and apply special effects to your images (with the Effects and Graphics panels). You’ll learn about the program’s various panels in detail throughout this book.
Here’s the thing about the Basic Workspace: When you click one of those panel buttons, that panel appears and fills the entire right of your screen (called the Panel Bin) from top to bottom, as the Layers panel does in Figure 1-6. When you’re in the Basic Workspace, only the panels that have buttons at the bottom right of the screen can appear in the Panel Bin, and you can’t see more than one of them at a time or resize them. To switch to another panel, you click its button and the previous panel disappears.
But the Editor has many more panels than just those four. If you need one of the others, like say the History panel (see The History Panel), you bring it up by clicking the More button in the window’s lower-right corner. This brings up all the other panels in one floating group, and you click the tab of the panel you want to bring it to the front. You can move the group around on your screen, but you can’t put it in the Panel Bin or take anything out of the Panel Bin to put in the group. You also can’t remove any panels from the group, and you have no control over how big it is—it automatically resizes to fit the current panel. You can close the group by clicking the little X at its top right (in Windows) or top left (on a Mac).
If you click the tiny arrow on the right side of the More button you can choose a panel by name, but in the Basic Workspace you still get the whole clump. All choosing the name does is make sure that the panel you want is the front one when the grouped panels appear.
You can try running Expert Mode with the Basic Workspace, but odds are that in about 10 minutes this setup will have you raving and beating your head on your desk. Fortunately, Elements offers a much better way to use the Editor: the Custom Workspace.
If you’ve ever used Elements (or any graphics program) before, you’ll be enormously relieved to know that you can make the Editor work much more efficiently than the Basic Workspace does. The secret is a well-hidden menu command that restores Elements to its full usefulness. To achieve this transformation, just click the tiny arrow on the right side of the More button and choose Custom Workspace.
Voilà! You just regained an enormous amount of freedom to set up things in the Editor the way you want them. In the Custom Workspace you can tear individual panels out of the panel group, put panels into the Panel Bin (and take them out), make your own panel groups, and so on.
You’re not stuck with the way things are initially laid out in the Custom Workspace (explained in the previous section). You can rearrange things quite a bit from where Adobe starts you out. This section explains the various ways you can customize the Editor workspace (assuming you’re using the Custom Workspace, that is).
You can hide everything in the workspace except for your images and the menu bar: no tools, panels, or anything else cluttering up your screen. This is handy when you want a good, undistracted look at what you’ve done to a photo. To do that, just press the Tab key; to bring everything back into view, press Tab again. (This also works in the Basic Workspace.)
There’s a long, narrow strip at the bottom of the Editor window that changes to display different things depending on what you’re doing at the moment. When you first open a photo, you see the Photo Bin (Figure 1-7) in this area, which displays all your open files. But if you click a tool in the toolbox on the left side of the Editor window, the Photo Bin gets replaced with settings for that particular tool, called (logically enough) the Tool Options. There are buttons at the bottom left of the main Editor window that let you switch back and forth between the Photo Bin and Tool Options, so you can always change over to the one you want right now.
The Photo Bin/Tool Options area is fixed in place: You can’t move it anywhere else or resize it. However, you can hide it by clicking the down-pointing arrow at the right end of the light-gray bar just above it. This gives you more space, but it also hides the settings for your tools, so it’s hard to do much work with it hidden. To bring it back, click either the Photo Bin or Tool Options button at the bottom of the window. (This behavior is the same in both the Basic and Custom workspaces.)
There’s more about how to use the Tool Options on Elements’ Tools. The rest of this section is about the Photo Bin’s useful features (Figure 1-7). The Photo Bin does a lot more than just show which photos you have open. You can drag photos’ thumbnails in the bin to rearrange them if you want to use the images in a project. The bin also has two drop-down menus:
Figure 1-7. The Photo Bin, which runs across the bottom of the Editor’s screen, holds a thumbnail of every photo you have open. Click the arrow in the bin’s top-right corner to collapse it, and use the button at the bottom left to bring it back again. The Tool Options button displays settings for the tool you’re currently using.
Show Open Files. This menu at the bin’s upper left lets you determine what the Photo Bin displays: the photos currently open in the Editor, selected photos from the Organizer, or any albums (Albums) you’ve made. This menu even lets you send files from the Organizer to the bin without actually opening them. Simply click photos to select them in the Organizer, and then come back over to the Editor, and switch this menu to “Show Files selected in Organizer”; you’ll see the photos you selected in the Organizer waiting for you in the bin. Double-click one to open it for editing.
If you regularly keep lots of photos open and you have an iPad, check out the Adobe Nav app (www.photoshop.com/products/mobile/nav), which lets you sort through open photos in Elements, see info about your photos, and switch tools without using your mouse. You can also use Adobe Revel to sync photos from all your i-devices to your computer (see Editing Your Photos).
Bin Actions. This is where the Photo Bin gets really useful, but it’s not easy to spot this menu: It’s the little four-line square in the bin’s upper right. This menu lets you print the photos in the bin or make an album right there in the Photo Bin without ever going to the Organizer. If you don’t use the Organizer, then the Photo Bin is a particularly great feature, because it lets you create groups of photos you can call up together: Just put them in an album (Albums), and then, from the bin’s Show Open Files menu, select the album’s name to see those photos. (You can also use this menu to reset the style source images you use in the Style Match feature, explained on Merging Styles.) If you like things to be compartmentalized, the Show Grid menu item puts a thin black line around each thumbnail.
When you’re in Expert Mode, the right side of the Elements window displays the Panel bin. (In the Basic Workspace you won’t see it till you click one of the panel buttons in the bottom-right corner of the Editor window.) When you first switch to the Custom Workspace (Custom Workspace), the Panel bin appears with four panels open: Layers, Effects, Graphics, and Favorites (Figure 1-8). These are the same four panels that have their own buttons in the Basic Workspace, but here you can close any of them that you don’t need at the moment.
In older versions of Elements and Photoshop, panels were called “palettes.” If you run across a tutorial that talks about the “Effects palette,” for example, that’s the same thing as the Effects panel.
Figure 1-8. Two different ways of working with the same images, panels, and tools. You can use any arrangement that suits you. (These images show the Mac version, in which the main menu bar is up at the top of the screen, out of the picture here. In Windows, it sticks to the top of the workspace.) Top: The panels in the standard Custom Workspace arrangement, with the images in tabs. Bottom: This image shows how you can customize your panels. The images here are in floating windows, and the Tool Options/Photo Bin is hidden. There’s no Panel Bin, either, since all the panels are floating.
To pull a panel out of the bin, drag the panel’s top tab (the one with its name on it); you’ve now got yourself a floating panel. (You can float panels even if you haven’t turned on floating image windows as explained on Image Views.) Figure 1-9 shows how to make panels even smaller once they’re out of the bin by collapsing them in one of two ways. You can also combine panels, as shown in Figure 1-10; this works with both panels in the bin and freestanding panels you’ve dragged out of the bin.
Figure 1-9. You can free up lots of space by collapsing panels accordion-style once they’re out of the bin. Top: A full-sized panel. Bottom: A panel collapsed by double-clicking the panel’s tab (where the cursor is here). Be sure to click in the name of the panel, not in the blank area to the right of the tab.
Figure 1-10. You can combine two or more panels once you’ve dragged them out of the Panel Bin. Top: Here, the Histogram panel is being combined with the Layers panel. To combine panels, drag one of them (by clicking the tab at the top of the panel) onto the other. When the moving panel becomes ghosted and you see the blue outline shown here, they’ll combine as soon as you let go of your mouse button. Bottom: To switch from one panel to another after they’re grouped, just click the tab of the one you want to use. Here you see the mouse ready to click the Layers panel’s tab to switch over to it from the Histogram panel. To remove a panel from a group, simply drag its tab out of the group. To return everything to how it looked when you first entered the Custom Workspace, go to Window→Reset Panels.
The first time you call up one of the panels that’s not initially displayed in the Custom Workspace (by selecting its name in either the Window menu or the menu that appears when you click the down arrow on the right side of the More button), you get the same floating panel clump that you get in the Basic Workspace (Basic Workspace). Luckily, you can fix this in a jiffy. Just pull the panels you want loose from the clump. From now on, Elements will remember what you did, and those panels will appear right where you left them last time. So the first time you call up the History panel, for instance, you get the six-panel group. But if you separate the History panel from the group, from then on if you go to Window→History or click the arrow next to the More button and choose History, all you get is the panel you want, not the whole clump. You can put the panel in the bin, leave it floating, or combine it with another panel, and that’s exactly how it will appear next time.
If you’ve floated any panels, clicking the More button closes them. You can click the arrow on the right side of the button to bring up the pop-out menu and make choices there, but click the main part of the button and everything is gone. Click the button again to bring everything back again.
To close a floating panel, click its Close button (in Windows, the X at its upper right; on a Mac, at its upper left) or click the little white square made of four horizontal lines in the panel’s upper right, and then choose Close from the menu that appears.
Confusingly, Adobe sometimes refers to floating panels as “tabs” in Elements’ menus. So, for example, when you click the four-lined square on a floating panel you see a Close Tab Group option instead of a Close Panel Group option.
In addition, when you’re using the Custom Workspace, you can put floating panels into the Panel Bin. Where you drag the panel determines where it appears in the bin. If you want to see a panel’s tab with the other tabs at the top of the bin, then drag the panel’s top tab onto the other tabs at the top of the bin and let go when you see a blue outline. Since the Panel Bin in Elements 11 always fills the entire right side of the screen from top to bottom, you may also prefer to stack panels vertically so that you can see more than one at a time. To do that, drag the floating panel to the bottom of the bin. Once it’s in, you can drag it farther up, and then add another panel at the bottom, if you wish. You can also drag it onto the tab of a panel that’s already in the bin to create a combined panel.
One thing that’s a bit tricky about the Custom Workspace is that you may wind up losing the Panel Bin completely. If you pull all the panels out of it, the bin feels unwanted and just disappears. This can be very handy because it gives you more space to spread out when working on photos, but if you want the bin back, you may find yourself dragging a panel all over the right side of the screen trying to make it dock back into the main window. The trick is to move the panel over the far right edge of the main Editor window. When you do this, the blue line appears along that edge. Let go of the panel, and the Panel Bin returns, with your panel in it.
All this panel organizing isn’t as complicated as it sounds, and it’s easier to learn by doing than by reading about it. So try dragging some panels around in the Custom Workspace. If you don’t like the results of your handiwork or you move the panels around so much that you can’t remember where you put things, just go to Window→Reset Panels, which puts all the panels back in their original spots.
You also get to choose how you want to view the images you’re working on. Older versions of Elements used floating windows, where each image appears in a separate window that you could drag around. Elements now starts you out with a tabbed view—which uses something like the tabs in a web browser, or the tabs you’d find on paper file folders—but you can still put images into floating windows, if you prefer (Image Views explains how). The advantage of tabbed view is that it gives you plenty of workspace around your image, which is handy when you’re working near the edges of a photo or using a tool that requires you to be able to get outside the image’s boundaries. Many people switch back and forth between floating and tabbed windows as they work, depending on which is most convenient. All the things you can do with image windows—including how to switch between tabbed view and floating windows—are explained on Image Views. (Incidentally, clicking Window→Reset Panels doesn’t do anything to your image windows or tabs; it only resets your panels.)
Elements gives you an amazing array of tools to use when working on photos. You get almost two dozen primary tools to help select, paint on, and otherwise manipulate images, and some of the tools have as many as seven subtools. Bob Vila’s workshop probably isn’t any better stocked than Elements’ virtual toolbox.
The long, skinny strip on the left side of the Editor window when you’re in Expert Mode is the Tools panel (Figure 1-11). It stays perfectly organized so you can always find what you want without ever having to tidy it up. In Elements 11, the Tools panel is fixed in place—it’s always in the same spot and you can’t move it, resize it, or make it into a single column like you could in previous versions of the program.
Figure 1-11. The mighty Tools panel. In Elements 11, it’s divided into six categories (View, Select, Enhance, Draw, Modify, and Color) to make it easier to find what you want. Because some tools are grouped together in the same slot (indicated by little arrows next to the tools’ icons, shown in Figure 1-12), you can’t ever see all the tools at once. For grouped tools, the icon you see is the one for the last tool in the group you used.
Many of the icons in the Tools panel actually represent tool groups, but in Elements 11, Adobe has chosen to play hide and seek with the subtools. Move your cursor over a section of the Tools panel, and you’ll see teeny, tiny arrows above the icons of the tools in that section that have other tools nested with them (see Figure 1-12).
Figure 1-12. When you move your mouse over a section of the toolbox that has subtools nested in with the visible tools, you see these minute arrows next to the tool icons. Here you can see that all the tools in the Enhance section except the Red Eye tool have more tools grouped with them. Unlike in earlier versions of Elements, you can’t right-click a tool’s icon or hold the mouse down to see the subtools; but you can cycle through all the tools that share a slot by Alt-clicking/Option-clicking the icon repeatedly, or just look in the Tool Options area at the bottom of the Elements window. Incidentally, whether or not you see the category names (like the Enhance and Draw labels shown here) depends on your screen resolution. If your screen is so short that the Tools panel would be cut off if the names were displayed, Elements just doesn’t show them.
When you click an icon in the Tools panel, the Tool Options area (The Photo Bin/Tool Options Area) displays settings for that tool, as well as icons for any subtools nested with that tool. If you forget what a particular icon is for, just put your cursor over it and a label (called a tooltip) will appear telling you the tool’s name. To activate a tool, click its icon in either the Tools panel (if the icon is displayed there) or in the Tools Options area (if the tool is grouped with the currently active tool). Each tool comes with its own collection of options, as shown in Figure 1-13. The Tools panel remembers the last tool you used, so if you choose to use one of the nested tools, the next time you’ll see the icon for that tool in the panel rather than the one for the tool that was there when you first started Elements. This seems complicated, but after a while you get pretty good at remembering where each tool lives.
Figure 1-13. The Tool Options area changes to show settings specific to the current tool. Here you see the Sponge tool’s options, as well as the icons for the Dodge and Burn tools, which share its Tools panel slot. Remember, the Tool Options section replaces the Photo Bin when you click a tool’s icon. You can switch between the Photo Bin and the Tool Options by clicking their buttons at the bottom of your screen.
Other windows in Elements, like Quick Fix and the Raw Converter, also have tool-boxes, but none is as complete as Expert Mode’s Tools panel. Don’t worry about learning the names of every tool right now. It’s easier to remember what a tool is once you’ve used it. And don’t be overwhelmed by all of Elements’ tools. You probably have a bunch of Allen wrenches in your garage that you use only every year or so. Likewise, you’ll find that you tend to use certain Elements tools more than others.
You cansave a ton of time by activating tools with their keyboard shortcuts rather than by clicking their icons, since that way you don’t have to interrupt what you’re doing to trek over to the Tools panel. To see a tool’s shortcut key, put your cursor over its icon; a label pops up indicating the shortcut key (it’s the letter to the right of the tool’s name). To activate the tool, just press the appropriate key. If the tool you want is part of a group then, all the tools in that group have the same keyboard shortcut, so just keep pressing that key to cycle through the group until you get to the tool you want.
Wherever Adobe found a stray corner in Elements, it stuck some help into it. You can’t move anywhere in this program without being offered some kind of guidance. Here are a few of the ways you can summon assistance if you need it:
Help menu. Choose Help→Photoshop Elements Help or press F1/⌘-?. When you do, Elements launches your web browser, which displays Elements’ Help files, where you can search or browse a topic list and glossary. The Help menu also contains links to online video tutorials and Adobe’s support forum for Elements.
Dialog box links. Many dialog boxes have a few words of bright blue text somewhere in them. (Sometimes you’ll see a question mark in a circle instead.) That text is actually a link to Elements Help. If you get confused about what the Remove Color Cast feature does, for instance, then, in the Remove Color Cast dialog box, click the blue words “color cast” for a reminder.
When Elements 11 is busy doing something that takes a while, it lets you know by displaying a notice in a dark gray oval that says something like “Undo Paint Bucket” or whatever the particular task is.
If you’re a beginner, Guided Edit (Figure 1-14) can be a big help. It walks you through a variety of popular editing tasks, like cropping, sharpening, correcting colors, and removing blemishes. It also includes some features that are useful even if you’re an old hand at Elements, like the High Key and Low Key edits (Special Effects in Guided Edit). Guided Edit is really easy to use:
Figure 1-14. Guided Edit gives you step-by-step help with basic photo editing. Just use the tools that appear in the right-hand panel once you choose an activity there. As with Quick Fix, you can change the view to Before & After; simply use the View menu (circled) to select the view you want.
At the top of the Editor window, click the Guided tab.
Open a photo.
If you already have an image open when you click over to Guided Edit, then it appears in the main window automatically. If you need to open an image, press Ctrl+O/⌘-O and then, in the dialog box that appears, choose your photo. If you have several photos in the Photo Bin, then you can switch images by double-clicking the thumbnail of the one you want to work on. (If the Photo Bin disappears while you’re working, just click its button at the bottom of the screen to bring it back again.)
Choose what you want to do.
In the panel on the right side of the Guided Edit window, your options are grouped into major categories like Touchups and Photo Effects, with a variety of specific projects under each heading. Just click the task you want in the list, and the panel displays the relevant buttons and/or sliders for that task.
Make your adjustments.
Simply move the panel’s sliders and click its buttons till you like what you see. If you need to adjust your view of the photo while you work on it, use the Hand (The Hand Tool) and Zoom (The Zoom Tool) tools that appear in a little toolbox on the left side of the Guided Edit window.
If you want to start over, click the Reset Panel button, shown in Figure 1-15. If you change your mind about the whole project, click Cancel at the bottom of the panel.
Figure 1-15. Although Adobe tried to make Elements easier for beginners to use, it’s a pretty good bet that you won’t easily guess the purpose of this strange little icon, which appears in many places in Elements 11. This is the Reset button. In Guided Edit and Quick Fix, it’s officially called Reset Panels, which is another way of saying, “Undo everything I’ve done since I entered this window.” (Incidentally, the little button to its left lets you play a video tutorial on the particular edit you’re performing.)
Don’t forget to save your changes (Searching by Metadata). If you decide you don’t like what you did, click Cancel. To close your photo, press Ctrl+W/⌘-W; or leave it open and switch to another tab to share it or use it in a project.
Guided Edit shows you quick and easy ways to change an image, but it doesn’t always get you the best possible results. It’s a great tool for starting out; just remember that what you see there isn’t necessarily the best you can make your images look. Once you’re more comfortable in Elements, Quick Fix (Chapter 4) is a good next step. You’ll find that most of the tools there will be familiar if you’ve been using Guided Edit.
Elements has a couple of really wonderful features to help you avoid making permanent mistakes: the Undo command and the History panel. After you’ve gotten used to them, you’ll probably wish it were possible to use these tools in all aspects of your life, not just Elements.
No matter where you are in Elements, you can almost always change your mind about what you just did. Press Ctrl+Z/⌘-Z, and the last change you made goes away. This keystroke works even if you’ve just saved your photo, but only while the image is still open—if you close the file, your changes are permanent. Keep pressing Ctrl+Z/⌘-Z to keep undoing your work, step by step.
If you want to redo what you just undid, press Ctrl+Y/⌘-Y. These keyboard shortcuts are great for toggling changes on and off while you decide whether you want to keep them. The Undo/Redo keystrokes work in both the Organizer and the Editor.
If you don’t like Ctrl+Z/⌘-Z and Ctrl+Y/⌘-Y, you have a bit of control over the key combinations you use for Undo and Redo. Go to Edit→Preferences→General/Adobe Photoshop Elements Editor→Preferences→General, where the Step Back/Fwd menu gives you two other choices, both of which involve pressing the Z key in combination with the Control, Alt, and Shift keys in Windows, and with the ⌘, Option, and Shift keys on a Mac.
If you prefer buttons to keystrokes, you can use the Undo and Redo buttons in the bottom left of the Elements window instead. And if you want to use the keystrokes but forget what they are, they’re listed at the top of the Edit menu.
In Expert Mode, you get even more control over the actions you can undo, thanks to the History panel (Figure 1-16), which you open by choosing Window→History. (In previous versions of Elements, this was called the Undo History panel.)
Figure 1-16. For a little time travel, just drag the pointer on the left side of the panel (it’s under the cursor in this image) up and watch your changes disappear. You can only go back sequentially. Here, for instance, you can’t go back to the Paint Bucket without first undoing the Hue/Saturation Layer and the Crop. You can also hop to a given spot in the list by clicking the place where you want to go instead of using the pointer. Drag the pointer down to redo your work.
This panel holds a list of the changes you’ve made since you opened your image. Just drag the slider up and watch your changes disappear one by one. Like the Undo command, this panel works even if you’ve saved your file: As long as you haven’t closed the file, the panel tracks every action you take. You can also drag the pointer down to redo changes that you’ve undone.
Be careful, though: You can back up only as many steps as Elements is set to remember. The program is initially set up to record 50 steps, but you can change that number by going to Edit→Preferences→Performance/Adobe Photoshop Elements Editor→Preferences→Performance and adjusting the History States setting. You can set it as high as 1,000, but remembering even 100 steps may slow your computer to a crawl if it doesn’t have a super-powered processor, plenty of memory, and loads of disk space. If Elements runs slowly on your machine, then reducing the History States setting to, say, 20 may speed things up a bit.
As you’re beginning to see, Elements lets you work in lots of different ways. What’s more, most people who use the program approach projects in different ways; what works for your neighbor with her pictures may be quite different from how you’d work on the very same shots. But you’ll hear one suggestion from almost every Elements veteran, and it’s an important one: Never, ever work on your original. Always, always, always make a copy of your image and work on that instead.
The good news is that, if you store your photos in the Organizer, you don’t need to worry about accidentally messing up your original. If you save your files as version sets (Saving Your Work), Elements automatically creates a copy when you edit a photo that’s cataloged in the Organizer, so you can always revert to your original. Other image-management programs, like Apple’s iPhoto and Adobe’s Lightroom, also make versions for you if you set up Elements as your external editor (Opening Stored Images).
But, as explained on Using the Organizer, you don’t have to use the Organizer. If you’ve decided not to use it or version sets, then follow these steps to make a copy of your image in the Editor:
Open the image you want to copy and then go to File→Duplicate.
In the dialog box, name the duplicate and then click OK.
Elements opens the new, duplicate image in the main image window.
Find the original image and click its Close button (the X or the red dot).
If you’re using tabs (you are unless you’ve changed the settings described on Image Views), the close X is on the right side of the image’s tab in Windows, and on the left side on a Mac. If you have floating windows (The Panel Bin), the Close button is the standard Windows or Mac Close button you’d see in any window. Now the original is safely tucked out of harm’s way.
Save the duplicate by pressing Ctrl+S/⌘-S.
Choose Photoshop (.psd) as the file format when you save it. (You may want to choose another format after you’ve read Chapter 3 and understand more about your different format options.)
Elements doesn’t have an autosave feature, so you should get into the habit of saving frequently as you work. This is true even if you’re using a Mac running OS X 10.7 (Lion) or 10.8 (Mountain Lion)—Elements isn’t currently able to use OS X’s Auto Save feature. Searching by Metadata has more about saving.
If you’re the impatient type and you’re starting to squirm because you want to be up and doing something to your photos, here’s the quickest way to get started in Elements: Adjust an image’s brightness and color balance all in one step.
In Expert Mode or the Quick Fix window, open a photo.
Press Ctrl+O/⌘-O and navigate to the image you want, and then click Open.
You’ve just applied Elements’ Auto Smart Fix tool (Figure 1-17).
Figure 1-17. Auto Smart Fix is the quickest, easiest way to improve the quality of a photo. Top left: The original, unedited picture. Top right: Auto Smart Fix makes quite a difference, but the colors are still slightly off. Bottom: By using some of the other tools you’ll learn about in this book (like Auto Contrast and Adjust Sharpness), you can make things look even better.
Voilà! You should see quite a difference in your photo, unless the exposure, lighting, and contrast were almost perfect before. (If you don’t like what just happened to your photo, no problem—simply press Ctrl+Z/⌘-Z to undo the changes.) The Auto Smart Fix tool is one of Elements’ many easy-to-use features.
If you’re really raring to go, jump ahead to Chapter 4 to learn about using the Quick Fix commands. But it’s worth taking the time to read the next two chapters so you understand which file formats to choose and how to make some basic adjustments to your images, like rotating and cropping them.
Don’t forget to give Guided Edit a try if you see what you want to do in its list of topics. Guided Edit (Getting Help) can be a big help while you’re learning your way around.