Using Smart Objects

A smart object is a very special layer that protectively wraps its content, which can be raw files (Working with Raw Files), vectors (drawings) from programs like Adobe Illustrator (Chapter 13), other layers, and even a whole PSD document, among other things. Smart objects are smart because Photoshop protects what you put into them by applying your edits to the wrapper instead of what’s inside of it. This lets you do the following:

  • Transform or resize it without losing quality. Instead of resizing the content inside a smart object, Photoshop resizes the wrapper. In the blink of an eye, Photoshop updates your document with the newly resized content without making it look blocky (so long as you don’t exceed the file’s original dimensions too much—unless it’s vector-based). You can also use the full range of transform tools (The Transformers) on smart objects repetitively without losing quality.

    Left: To get inside a layer mask and edit it in full grayscale glory—handy for ensuring your subject is fully revealed—Option-click (Alt-click on a PC) the mask’s thumbnail in the Layers panel.Once you’re inside the mask, you can then copy and paste pixels—including text—right into it. (Page 661 has a cool example involving snatching texture from a photo and pasting it into a mask to add it to text.) When you’re finished editing the mask, click the layer’s thumbnail.Right: To edit the mask with a red overlay (like Quick Mask Mode; page 193), click the mask in the Layers panel to activate it, and then press the backslash key (\). To change the overlay’s color, open the Properties panel’s menu and choose Mask Options. In the dialog box that appears (shown here), click the color square and then pick a new color from the resulting Color Picker. Press the backslash key again to send the overlay packin’.

    Figure 3-34. Left: To get inside a layer mask and edit it in full grayscale glory—handy for ensuring your subject is fully revealed—Option-click (Alt-click on a PC) the mask’s thumbnail in the Layers panel. Once you’re inside the mask, you can then copy and paste pixels—including text—right into it. (Page 661 has a cool example involving snatching texture from a photo and pasting it into a mask to add it to text.) When you’re finished editing the mask, click the layer’s thumbnail. ...

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