Book description
Photographic Possibilities, Second Edition continues to provide a reliable source of techniques and ideas for the use of alternative and contemporary photographic processes that photographers have come to depend on. Professional photographers and advanced students seeking to increase their skills will discover modern and classic methods of creating and manipulating images. This practical guide integrates technical methods with the aesthetic outcome. It offers readers clear, step-by-step instructions on historic and on contemporary processes that integrate both the technical information and the aesthetic inspiration needed to create outstanding photographs.This new expanded edition concisely covers the most significant new products, processes, and issues that have effected the practice during the past decade. Two new chapters are exclusively devoted to digital photography, covering the history of digital imaging as well as the latest techniques and practices. Also included is an in-depth discussion on the copyright, which deals with the ethical and conceptual issues surrounding digital imaging that are rapidly changing the world of photography.
Table of contents
- Front Cover
- Half Title
- Title Page
- Copyright
- Dedication
- Contents
- Preface
- 1. Why We Make Photographs: Ideas and History That Affect Photographic Printmaking
- 2. Safety
-
3. Special-Use Films and Processing
- Film and the Photographer
- General Working Procedures for Film Processing
- Kodak High Speed Infrared Film 2481 and 4143
- Extended Red Sensitivity Film: Ilford SFX 200
- Kodak Recording Film
- Additional Methods to Heighten Grain and Contrast
- Kodak Technical Pan Roll Films
- Ilford PAN F PLUS Ultra-Fine Grain B/W Film 37
- Kodak Professional B/W Duplicating Film SO-132
- High-Contrast Litho Films
- Other Graphic Arts Films
- High-Speed Films: Kodak T-MAX P3200 and Ilford Delta 3200 Professional
- Paper Negatives and Positives
- Reversing Black-and-White Film
- Film for Classic Cameras
- Processing Black-and-White Film for Permanence
- Polaroid Instant Films
- Additional Information
- 4. Formulas of Your Own
-
5. Black-and-White Film Developers
- What Happens to Silver-Based Films during Exposure and Processing?
- Image Characteristics of Film
- Components and Characteristics of Black-and-White Developers
- Liquid versus Powder Chemistry
- Basic Developer Types
- Postdevelopment Processes
- Film Developer Formulas and Their Applications
- Why Bother?
- Additional Information
- 6. Analog Printmaking: Equipment, Materials, and Processes
- 7. Black-and-White Paper Developers
- 8. Toning for Visual Effects
- 9. Special Cameras and Equipment
- 10. An Introduction to Some Widely Used Alternative Processes
- 11. Altering Photographic Concepts: Expansion of the Lexicon
-
12. Photography and Computers
- What Is a Digital Computer?
- What Is a Digital Image?
- A Brief History of Digital Images: 1960 to 1998
- Why the Computer?
- Digital Ethics and Copyright
- Creating Digital Images
- Color Conversion/Color Matching
- Memory
- Software
- Major File Types
- Storage Media
- Digital Possibilities: Computer as Multimedia Platform
- Hypertext and the World Wide Web
- The End of the Wet Darkroom?
- Additional Information
- 13. Digital Input and Output
- Index
Product information
- Title: Photographic Possibilities, 2nd Edition
- Author(s):
- Release date: May 2001
- Publisher(s): Focal Press
- ISBN: 9781136090530
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