Book description
From the Foreword by Bob Schieffer:
"This is a real 'how to' book by two people who really know how. But it is more than just a fine manual on broadcast journalism, journalists and non-journalists alike will find it good read, a treasure chest of anecdotes, stories and a tall tale or two from the most exciting profession of all—reporting the news."
Reardon’s On Camera: How to Report, Anchor & Interview teaches you how to become professional and effective on camera. You’ll learn how to appear and feel at ease whether doing an interview, reporting in the field, reading from a prompter, or giving a video presentation. It’ll give you the nuts and bolts of how to do the job at the network level or as a backpack journalist, so you feel confident that when you’re standing in front of the camera you will know what you’re doing. Whether new to television or experienced in front of a camera, you will improve on your current skills through career-focused tips and tried-and-true principles—all oriented to skills development—in this book.
Table of contents
- Cover
- Title
- Copyright
- Dedication
- Contents
- Writers' Biographies
- Foreword
- Acknowledgments
- Introduction
-
Interviewing
-
1 Interviewing
- Prepare
- Communicate
- Listen
- To Pre-interview or Not to Pre-interview?
- Be Polite
- Hard News Interviews
- Soft News Interviews
- Hard News Interview Techniques
- Soft News Interview Techniques
- The All-Important First Question
- The Shape of an Interview
- Time Is of the Essence
- Answers That are Toooo Long
- Questions That Are Toooo Long
- Yes or No Questions
- Anecdotes and Stories
- Have More Questions Than You Think You Will Need
- Where Do You Look When You Are Interviewing?
- Your Voice
- Whose Interview Is It Anyway?
- The End of the Interview
- The Difference Maker
- Are There Any Exercises I Can Use?
- Exercise for Interview Variety
- Exercise for Questions
- Exercise for Asking the Challenging Question
- Exercise for Listening
- Exercise for Flexibility
- One Last Exercise
- Practice, Practice, Practice
- 2 The Interviewee
-
1 Interviewing
-
On-Camera Reporting
- 3 Gathering the Facts
-
4 Writing the Story
- Nancy's Class Fire Story
- On-Camera Field Interviews
- Let's Write the Script and Make a Package
- This Is a Visual Medium
- Pace
- Language Is a Tool
- Hard News/Light News
- A Few Other Points
- Reporting from the War Front
- Fat Head Advice
- Finding Your Stories and Developing Your Sources
- Conclusion to Writing the Script
-
5 Presenting the Report on Camera
- Studio Lead or Studio Throw
- Beware of the Same Copy
- The Package
- Stand-Ups
- Be Creative But...
- Wallpaper
- Bridges
- Graphics
- File Tape
- The Close
- The Tag
- Q and A
- Reporters' Notes and Note Books
- Microphone Position
- Where Do I Look?
- It's All in How You Ask the Question
- Intention
- Some Final Notes for On-Camera Reporter Interviews
- The 5 Ws and the Dreaded H
- You Teach the Guest
- One Question at a Time
- Think of Your Priorities
- You Are Going Live
- Stay Calm in a Crisis
- Don't Give Up
- Substitutions
- Crowds
- How Do You Handle Disagreements with Your Boss?
- Conclusion
- Reporting Exercises
- Beat Reporting
-
Anchoring and Hosting
-
12 Anchoring I
- Anchoring Is a Craft
- In Television News You Must Be Credible, Real, and Truthful
- Who Are You?
- Anchor Qualities and Skills
- Pace
- Other Things to Know About an Anchor's Read
- How Much Can I Move?
- Connections
- Or Try Substitution
- Voice and Read
- Subtext and Intentions
- Segue
- Hey! Relax!
- Focus
- Anchor Jack (and Jill for That Matter) Are Dull
- Don't Forget Reporting and Interviewing Skills
- Be Honest ... But Not Hard on Yourself
- It's Not Peru Indiana, It's Pronounced: Pee-Ru
- Trust Me, They Love You
- To Review
- Ad-Libbing Exercises
-
13 Anchoring II
- The Teleprompter
- The Hard Copy
- Headlines and Opens
- Teases and Bumpers
- What Is a Bumper?
- The Update
- The Close
- Double Anchoring
- Contrast Is the Name of the Game
- Light News
- Smile If the Story Is Light News
- Smile When You Can
- The Morning Shows
- Point of View or Proper Attitude?
- Nancy's Bedtime Story
- Exercise for Subtext and Intentions
- 14 Hosting
-
12 Anchoring I
-
Vocal and Physical Technique
- 15 The Voice Itself
-
16 Techniques for a Good Reading
- Punctuation for TV Scripts
- Tape and Ape
- Reading But Not Sounding That Way
- Mark Your Script
- How to Sound Great and Natural
- Exercise for Reads
- Loosen Up
- Try Paraphrasing
- Monotone Millie
- You Are Not an Announcer
- Talk to One Person
- Five Keys to a Great Reading
- Now Let's Go to the Specifics
- Giving a Level
- Time and Timing Are Important
- Don't Make Paper Noises
- Exercises for a Great Read
- 17 Physical Techniques
-
18 Looking Good
- Make Up!
- For Women
- Oops! What to Watch Out For
- What About Make-Up for Men?
- Some Tricks
- Lipstick
- Make-up for Young and Old
- High Definition
- Make-Up and Hair for Ethnic Skin Tones
- Do Black Women Have to Straighten Their Hair?
- What About Make-Up for Asian Women?
- Make-Up for Entertainment Reporters
- Tips for Men
- Tips for Women
- So Where Do You Get Your Make-Up?
- Are There Any Products Just for TV?
- It's Your Face, Your Responsibility
- Hair Counts
- Hairspray
- Perfume
- Eyes
- Teeth
- Clothes Make the Anchor
- Bejweled? Be Careful
- To Sum Up
- Where To Go
-
Getting the Job
-
19 Preparing Your Presentation Reel
- So How Do I Make a Good Reel?
- What Goes on Your Reel?
- What Does Not Go on Your Reel?
- Story Lines for the Reel
- What if My Story Isn't Mine But I Have To Have Something on a Reel?
- What About Production Houses That Provide Package Help?
- What Makes a Reel Jump Out?
- How Important Is an Agent?
- What About Looks?
- To School or Not to School? What About Education?
- Does It Matter Which School?
- What about Writing Skills?
- What Experience Does Joe Look For?
- What's the Key Thing I Should Worry about on My Reel?
- How Do I Send My Resume Video to a News Director?
- Some Final Notes from Joe
- 20 How to Land a Job in Television
- 21 Final Thoughts
-
19 Preparing Your Presentation Reel
- Index
Product information
- Title: On Camera, 2nd Edition
- Author(s):
- Release date: June 2013
- Publisher(s): Routledge
- ISBN: 9781134624478
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