Acknowledgments
First, thanks to Sharon Franklin, outstanding Final Cut Pro editor, one of the founders of the San Francisco Cutters, and the person who recommended me for this book.
To Marjorie Baer of Peachpit, for taking a chance on me. To my editor, Cheryl England, whose humor and encouragement lifted my spirits—you were always willing to do whatever it took to support me. To the rest of the Peachpit team, notably Rebecca Rider and Lupe Edgar, thanks for your excellent work.
Michael Wohl, thanks for your thorough technical editing—it’s an honor to have an accomplished filmmaker, editor, and Motion expert reviewing my book. And to Dion Scoppettuolo at Apple Computer, thanks for tackling my numerous, convoluted, and occasionally arcane questions. ...
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