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Mobile Design and Development

Cover of Mobile Design and Development by Brian Fling Published by O'Reilly Media, Inc.
  1. Mobile Design and Development
    1. SPECIAL OFFER: Upgrade this ebook with O’Reilly
    2. Preface
      1. Who This Book Is For
      2. How This Book Is Organized
      3. Conventions Used in This Book
      4. Using Code Examples
      5. How to Contact Us
      6. Safari® Books Online
      7. Acknowledgments
    3. 1. A Brief History of Mobile
      1. In the Beginning
      2. The Evolution of Devices
    4. 2. The Mobile Ecosystem
      1. Operators
      2. Networks
      3. Devices
      4. Platforms
      5. Operating Systems
      6. Application Frameworks
      7. Applications
      8. Services
    5. 3. Why Mobile?
      1. Size and Scope of the Mobile Market
      2. The Addressable Mobile Market
      3. Mobile As a Medium
      4. The Eighth Mass Medium: What’s Next?
      5. Ubiquity Starts with the Mobile Web
    6. 4. Designing for Context
      1. Thinking in Context
      2. Taking the Next Steps
    7. 5. Developing a Mobile Strategy
      1. New Rules
      2. Summary
    8. 6. Types of Mobile Applications
      1. Mobile Application Medium Types
    9. 7. Mobile Information Architecture
      1. What Is Information Architecture?
      2. Mobile Information Architecture
      3. The Design Myth
    10. 8. Mobile Design
      1. Interpreting Design
      2. The Mobile Design Tent-Pole
      3. Designing for the Best Possible Experience
      4. The Elements of Mobile Design
      5. Mobile Design Tools
      6. Designing for the Right Device
      7. Designing for Different Screen Sizes
    11. 9. Mobile Web Apps Versus Native Applications
      1. The Ubiquity Principle
      2. When to Make a Native Application
      3. When to Make a Mobile Web Application
    12. 10. Mobile 2.0
      1. What Is Mobile 2.0?
    13. 11. Mobile Web Development
      1. Web Standards
      2. Designing for Multiple Mobile Browsers
      3. Device Plans
      4. Markup
      5. CSS: Cascading Style Sheets
      6. JavaScript
    14. 12. iPhone Web Apps
      1. Why WebKit?
      2. What Makes It a Mobile Web App?
      3. Markup
      4. CSS
      5. JavaScript
      6. Creating a Mobile Web App
      7. Web Apps As Native Apps
      8. PhoneGap
      9. Tools and Libraries
    15. 13. Adapting to Devices
      1. Why Is Adaptation a “Necessity”?
      2. Strategy #1: Do Nothing
      3. Strategy #2: Progressive Enhancement
      4. Strategy #3: Device Targeting
      5. Strategy #4: Full Adaptation
      6. What Domain Do I Use?
      7. Taking the Next Step
    16. 14. Making Money in Mobile
      1. Working with Operators
      2. Working with an App Store
      3. Add Advertising
      4. Invent a New Model
    17. 15. Supporting Devices
      1. Having a Device Plan
      2. Device Testing
      3. Desktop Testing
      4. Usability Testing
    18. 16. The Future of Mobile
      1. The Opportunity for Change
    19. Index
    20. About the Author
    21. Colophon
    22. SPECIAL OFFER: Upgrade this ebook with O’Reilly

The Mobile Design Tent-Pole

In Hollywood, executives like to use the term “tent-pole” to describe their movies and television shows. The term has dual meanings: one is business, and the other creative. The business goal of a tent-pole production is to support or prop up the losses from other productions. However, to create a tent-pole production, the creators involved must make an artistic work that they know will appeal to the largest possible audience, providing something for everyone. You probably know tent-pole movies as “blockbusters”; in television, they are known as “anchor” shows.

Trying to reach the widest possible audience poses a problem. Hollywood is learning with great pains that with so many entertainment options and with today’s audience being so hard to reach through traditional advertising channels, tent-pole productions are failing. As the number of social niches increases, it becomes difficult to satisfy the specific tastes of each social group. What one group finds hysterically funny, several other groups might find offensive. Today, tent-pole productions often come off as bland and half-hearted, failing to appease anyone.

One of the most interesting examples of how the tide turned in entertainment is with the animated films of Disney versus those of Pixar. For years, Disney produced tent-pole family fare quite successfully. But as competition increased, notably from Pixar, Disney films would spend millions to create stale and dated films, losing audiences and ...

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