Acknowledgments

This book has been in the works a long time, and many people have lent their support during its creation. First of all, I'd like to thank all those who peppered me with questions at the Cambridge Music Technology masterclass sessions, thereby sowing the seeds of this book, and also the many readers of Sound on Sound magazine whose numerous “Mix Rescue” submissions and questions have clarified my thinking.

In addition, I'd like specifically to thank all the interviewers who have done an immense service to us all by shedding so much light on top-level studio practice: Michael Barbiero, Matt Bell, Bill Bruce, Richard Buskin, Dan Daley, Tom Doyle, Maureen Droney, Tom Flint, Keith Hatschek, Sam Inglis, Dave Lockwood, Howard Massey, ...

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