Contents
Preface | |||||||
Chapter 1 Introducing digital video | |||||||
1.1 | Video as data | ||||||
1.2 | What is a video signal? | ||||||
1.3 | Why binary? | ||||||
1.4 | Colour | ||||||
1.5 | Why digital? | ||||||
1.6 | Some digital video processes outlined | ||||||
1.7 | Time compression and expansion | ||||||
1.8 | Error correction and concealment | ||||||
1.9 | Product codes | ||||||
1.10 | Shuffling | ||||||
1.11 | Channel coding | ||||||
1.12 | Video compression and MPEG | ||||||
1.13 | Disk-based recording | ||||||
1.14 | Rotary-head digital recorders | ||||||
1.15 | DVD and DVHS | ||||||
1.16 | Digital television broadcasting | ||||||
1.17 | Networks | ||||||
Chapter 2 Video principles | |||||||
2.1 | The eye | ||||||
2.2 | Gamma | ||||||
2.3 | Scanning | ||||||
2.4 | Synchronizing | ||||||
2.5 | Bandwidth and definition | ||||||
2.6 | Aperture effect | ||||||
2.7 | Colour | ||||||
2.8 | Colour displays | ||||||
2.9 | Colour difference signals | ||||||
2.10 | Motion portrayal and dynamic resolution | ||||||
2.11 | Progressive or interlaced scan? | ||||||
2.12 ... |
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