Acknowledgements

 

 

 

Special thanks to my friend and recording partner in crime, Ron Guensche, for his invaluable suggestions and edits to the manuscript. Ron’s a gifted engineer whose good taste, critical listening skills and deep technical knowledge I greatly admire and appreciate. He also plays a mean bass.

I’d like to thank some others who provided feedback and encouragement: David Battino, author of The Art of Digital Music (which you should check out) and Tim Pryde of San Francisco’s Pebble Theory.

I’d like to thank my editor, Catharine Steers, for her enthusiasm, guidance and support in seeing the book through to publication, as well as my developmental editor Carlin Reagan. I’d also like to thank Focal Press for giving me the opportunity ...

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