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How to Make Animated Films by Kathryn Spencer, Tony White

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Film Production 14 

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Two-Dimensional In-Betweening

With all the key poses established, timed out, and charted, it is now time to put in all of your in-betweens. The full process of in-betweening should be familiar to you, if you have worked through the lessons in Part 1 or have consulted either of my previous books, The Animator's Workbook, or Pencils to Pixels: Classical Techniques for Digital Animators (Focal Press, 2006).

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The biggest workload in a traditional, hand-drawn animation studio setting is the in-betweening. (Inbetweeners: Ryal Hansen ...

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