ACKNOWLEDGMENTS

 

Global Scriptwriting began as a notion born out of a series of workshops I conducted in various parts of the world between 1996 and 2000. What I learned from the participants nurtured the ideas now set down in this book. I'd like to thank Martin Amstell of the London International Film School; Joost Hunninger and Chris Williams of the University of Westminster in London; Jeanne Wikler, Jane Williams, and Karol Kulik of the Maurits Binger Institute in Amsterdam; Reinhard Hauf f and Uschi Keill of the DFFB in Berlin; Oliver Schuette and Stephanie Bastian of the Master School in Scriptwriting in Berlin; Margit Essenbach of the Zurich Film School; Victor Valbuena of Ngee Ann Polytechnic in Singapore; and Ron Blair, Paul Thompson, ...

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