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THE NEW GRAMMAR OF STEREOSCOPIC FILMMAKING
Following the recent wave of stereoscopic 3D film and TV content there is a growing body of opinion that if 3D is ever to be more than a theme park experience the potential of the new format needs far greater artistic exploration.
There is a need, not just for technically accurate stereo 3D to create a comfortable viewing experience, but for a creatively enhancing 3D that lifts content away from novelty and mundanity and into the art form of filmmaking.
Curious directors are beginning to see the potential of stereo 3D as a visual storytelling tool and to embed it into productions from inception as one would use lighting or sound.
Such filmmakers have instinctively reached for artistic metaphors with ...
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