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Exhibiting Photography, 2nd Edition by Shirley Read

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CHAPTER 8

The Curator’s Role

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Peter Kennard @earth installation at Margate Photo Festival, 2011. Peter Kennard: For the MPF I took work which could be carried on the train and put on the wall in an afternoon. I always adapt my work to different contexts—the point of the work being that it should be available to everybody from being seen in the Tate to free posters given out as part of the Occupy movement. My work goes out in the form of prints, postcards, T-shirts, newspapers and is pasted up in the street as well as being in galleries. It is made in different materials adapted to those contexts—it could be a limited edition of a print as well ...

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