Acknowledgements
I would like to thank Georgia Kennedy of Focal Press for her patience, guidance and support. Also Beth Howard, who originally commissioned the book, and the editor who took over from her, Emma Baxter. I am especially grateful to Alex Cooke, who read the manuscript and offered excellent advice and support throughout. Mark Boulos researched and compiled the sections advising on documentary festivals and funding, and Pierre Haberer offered his great technical expertise with the new technology. I thank them both for their efficiency, patience and constant good humour.
The book could not have been written without the support of the UK's National Film and Television School at Beaconsfield. Special thanks to Roger Crittenden, the Academic ...
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