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Digital Compositing with Nuke by Lee Lanier

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Introduction

Of all the areas within the visual effects and animation industries, the one that I never grow tired of is digital compositing. Every shot that I composite becomes an intriguing challenge whereby aesthetic improvements are always within reach. Instead of fading away with the rapid development of technology, digital compositing has become more powerful over the last few years. The Foundry’s Nuke software is the epitome of these developments, with 32-bit floating-point color space, optical flow algorithms, and stereoscopic processing as just a few of the standard features.

You, the Reader

Digital Compositing with Nuke is aimed at digital artists who have a desire to learn Nuke from scratch or have a need to transition to Nuke from ...

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