You are previewing Design for Hackers: Reverse-Engineering Beauty.

Design for Hackers: Reverse-Engineering Beauty

Cover of Design for Hackers: Reverse-Engineering Beauty by David Kadavy Published by John Wiley & Sons
  1. Cover
  2. Table of Contents
  3. Title Page
  4. Introduction
  5. Chapter 1: Why Design Matters
    1. What Design Really Is
    2. What Design Is Not
    3. The Layers of Design
    4. Conclusion
  6. Chapter 2: The Purpose of Design
    1. Visual Design and Its Relation to User Experience Design
    2. Sometimes a Visual Design Is Just Good Enough
    3. Sometimes Visual Design Is Your Advantage
    4. Reverse-Engineering the Twitter User Experience
    5. Knowledge Applied
  7. Chapter 3: Medium and Form in Typography
    1. The Tragedy of Misuse: Why You Hate Comic Sans
    2. The Shackles of the Typographer: The Unalterable Word
    3. The Formation of Our Alphabet
    4. The Birth of Our Letters
    5. The Type That Has Lived On
    6. Garamond Today: Why You Don’t Use Garamond on the Web
    7. Knowledge Applied
  8. Chapter 4: Technology and Culture
    1. How Trends Are Created
    2. SEO Is Design
    3. Knowledge Applied
  9. Chapter 5: Fool's Golden Ratio: Understanding Proportions
    1. What Is Proportion?
    2. Proportion and Design
    3. The Broken Promise of the Golden Ratio
    4. Other Pleasing Proportions
    5. Proportions in Our World
    6. Proportions at Work
    7. Knowledge Applied
  10. Chapter 6: Holding the Eye: Composition and Design Principles
    1. Compositional Relationships
    2. Design Principles
    3. Why the MailChimp Logo Is Beautiful: Use of Composition and Design Principles
    4. Knowledge Applied
  11. Chapter 7: Enlivening Information: Establishing a Visual Hierarchy
    1. What I Mean by “Hierarchy”
    2. Hierarchical Factors in Isolation
    3. Hierarchy at Work
    4. Knowledge Applied
  12. Chapter 8: Color Science
    1. What Is Color?
    2. The Tricks Your Eyes Play
    3. How the Visual System Works
    4. Defining Color
    5. Color Models and Data-Driven Graphics
    6. Thinking in Hexadecimal Color: Understanding the Colors of the Web
    7. Color Models in Action: Why Your Business Card Doesn’t (and Never Will) Match Your Website
    8. Knowledge Applied
  13. Chapter 9: Color Theory
    1. Color Response throughout Human History
    2. Color Response and Human Biology
    3. The Power of Red: Why You Don’t Stand a Chance in the “Target Challenge”
    4. Research on Other Colors
    5. Color and Culture
    6. Color Schemes and the Color Wheel
    7. Color Choices and Web Conventions
    8. The Interaction of Colors: Why Monet Never Used Black
    9. Color Schemes
    10. Creating a Mood with Color
    11. Tools for Creating Color Palettes and Schemes
    12. Knowledge Applied
  14. Appendix A: Choosing and Pairing Fonts
    1. Classifying Typefaces
    2. Looking At Letter Structure: The Form of the Skeleton
    3. Pairing Fonts
    4. All the Fonts You’ll Ever Need
  15. Appendix B: Typographic Etiquette
    1. Distorting Type: What Not to Do
    2. Setting Body Copy
    3. Tending to Typographic Details

Chapter 2: The Purpose of Design

Design is the manifestation of many different “layers” that make up a product. So, something that might just appear attractive or pretty isn’t necessarily going to be a “good” design. Good design is sensitive to these many layers that influence the final design of a product. What is often misunderstood as design – things such as the pattern of a fabric, or even the graphic styling of a button on a website – don’t come close to encompassing the definition of design. Visual characteristics are certainly components of design, but they are products of many factors.

The bounds between design and other related disciplines are fuzzy, but for the purposes of this book, I’ll be talking primarily about visual design. Visual design concerns itself with the visual look – or the “beauty” – of a product. Visual design, as the name implies, is mostly associated with things that you see, such as the arrangement of design elements, the look of typography, or the choice of colors, but these things are all affected by some pretty concrete things, such as product goals, culture, or technology.

I’ll be talking about all of these factors in greater detail later in the book. In Chapters 3 and 4, I’ll explain how culture and technology have influenced, throughout history, the shapes of typography and design. In Chapters 5 and 6, I’ll explain how hidden geometric and compositional forces create a sense of order and visual interest in a piece of design. In Chapter 7, I’ll ...

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