Darkroom Dynamics

Table of contents

1. Cover
2. Half Title
3. Title
4. Copyright
5. CONTENTS
6. INTRODUCTION
7. THE SABATTIER EFFECT
   1. The Nature of the Sabattier Effect
   2. How to Produce a Sabattier Print
   3. The Test Strip Procedure
   4. Methods of Control during Exposure
   5. Methods of Control in Processing
   6. Tone Control With Bleach
   7. Bas Relief and Troubleshooting
8. BLACK-AND-WHITE INFRARED FILM
   1. Using the Film
   2. Using Filters
   3. Controlling the Film
   4. Processing the Film
   5. Infrared Flash
   6. Using 70mm Infrared Film
9. PHOTOGRAMS
   1. Light Sources
   2. Photogram Materials
   3. Making the Photogram
   4. Abstraction vs. Representationalism
10. SPLIT-TONING
    1. Split-Toning
    2. Controlling the Split
11. POLAROID PEEL-APART FILM
    1. Instant Photography
    2. The Transfer
    3. The Rollers
    4. Gilding
12. MULTIPLE PRINTING
    1. Blending in the Camera
    2. Sandwiching Negatives
    3. Setting up an Enlarger Blend
    4. Printing the Blend
    5. Complex Printing
13. ENLARGED PHOTOGRAMS
    1. The Process
    2. The Materials
    3. Negative Making
    4. Making Negatives Permanent
14. POLAROID SX-70
    1. Manipulating the Reagent
    2. Altering the Surface
    3. Transparency Making
15. HAND COLORING
    1. The Materials
    2. Making an Enameled Print
    3. Alternative Methods
16. TONING
    1. Print Color With Toning
    2. Toner Chart
    3. Preparing Your Prints
    4. Toning Your Prints
    5. Finishing Up
17. HIGH CONTRAST
    1. How to Make a High-Contrast Print
    2. Making a Film Positive and Negative
    3. Selecting a Working Film Size
    4. Basic Darkroom Controls
    5. Retouching Litho Film
    6. Photomontage
    7. Photomontage Examples
    8. Masking
    9. Tone Separation and Tone-Line
    10. Screens and Backgrounds
    11. Other Applications
    12. Combining Techniques
    13. Considerations When Photographing
    14. Development for Detail
    15. Simplicity vs. Detail
18. LIQUID EMULSION
    1. Liquid Light
    2. Preparing the Piece
    3. Applying the Emulsion
    4. Processing
    5. Finishing
19. RETICULATION
    1. What Is Reticulation?
    2. Simple Reticulation
    3. Radical Reticulation
    4. Veiling
    5. Differential Reticulation
20. PHOTOMONTAGE
    1. Setting Up
    2. Assembling the Montage
    3. Mounting and Copying
    4. Gallery
21. COMBINATION COLORING
    1. Setting Up
    2. Coloring the Print
22. DYE TRANSFER
    1. Setting Up
    2. The Wash-Off Relief Process
    3. Dyeing the Matrix
    4. Printing the Matrix
    5. Formulas
23. ABOUT THE AUTHORS
24. INDEX