Chapter 5. Stacking Star Trails

Understanding Stacking

Understanding Stacking

Stacking was developed as a technique to use in digital astrophotography—photography through a powerful telescope—to reduce noise. The technique works just as well for terrestrial night photography that includes the earth as well as the sky.

By segmenting a single very long exposure into many shorter exposures and then recombining the shorter exposures in post-processing, most of the noise in each individual image gets canceled out. While this technique is conceptually simple, it takes planning and practice to execute successfully. And it requires work at the shooting stage as well as when post-processing the image stack.

Once you know the routines, the work that I refer to is not actually your work! An old advertisement suggested, "Let your fingers do the walking" to look up businesses in the Yellow Page phone directories. Similarly.

On a relatively balmy November evening shortly after sunset, I drove out to the end of the North Fork of the Point Reyes, California, peninsula. I pointed my camera due north for maximum star circles and lined up the historic Pierce Farm with Polaris. My plan was to stack at least twelve exposures as a composite and to use the lightest version for the fore ground. My first exposure was, in fact, the lightest version, since a bit of light from the sun set lingered. So once I had created my stack, I separately composited the foreg round from this version on to my stack. As the camera did all the work, it was pleasant lying back on the grass, talking stars and philosophy with my oldest son, who had come along.: 10.5mm digital fisheye, stacked composite of fifteen exposures, each capture 4 minutes at f/4 and ISO 200, tripod mounted, total exposure time 1 hour

Figure 5.1. On a relatively balmy November evening shortly after sunset, I drove out to the end of the North Fork of the Point Reyes, California, peninsula. I pointed my camera due north for maximum star circles and lined up the historic Pierce Farm with Polaris. My plan was to stack at least twelve exposures as a composite and to use the lightest version for the fore ground. My first exposure was, in ...

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