Editing the Picture: 3
Non-Linear On-Line Editing
Let us, as an example, take a television documentary off-line edited in one of the latest generation Avids. With a shooting ratio of 20:1, the pictures were digitised into the machine at low non-broadcast quality. When the creative decisions have been made and the picture has been locked-off, the editor takes the alarming step of deleting all the pictures from the system! He or she then tells the machine to re-digitise the pictures, this time at broadcast quality, with, say, a one-second handle at the beginning and end of each shot. (A ‘handle’ is a small overlap to allow slight changes to be made.) The computer will then ask for the source tapes to be loaded into a VTR in order and will only ...
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