Foreword

 

 

Opposites Attract

For photography enthusiasts in the late 1980s, Rochester, New York was an exciting place to be. Eastman Kodak dominated the downtown skyline and celebrated what it meant to be a successful photographer: technically adept and creatively courageous. Visual Studies Workshop and the George Eastman House offered direct access to photo-related artifacts, immense collections of prints and artists who defined the history of photography. Bemoaning Rochester’s weather was a citywide pastime, but for photo students at the Rochester Institute of Technology (RIT), the harder the weather blew, the more time we had to experiment in the photo studios or make additional prints in the many darkrooms that lined the long hallways. ...

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