Chapter 11. Bullets Explosions Music People
Murch mixes sound at De Lane Lea wearing his lucky sweater. “Aggie’s mother knitted it for her in 1964. A few years later I stole it. It’s got a few scars on it.”
Monday, October 18, 2003, Murch’s Journal
Amazing to remember in retrospect that Francis was not in the room during the mix of Conversation or Apocalypse. I played the mixes for him and he had comments, which we incorporated. Not around during the premixes of Godfather, but he was for the final.
The relationship between a film director and the sound mixer is just as intimate and complex as the one between director and film editor. After all, ...
Get Behind the Seen: How Walter Murch Edited Cold Mountain Using Apple’s Final Cut Pro and What This Means for Cinema now with the O’Reilly learning platform.
O’Reilly members experience books, live events, courses curated by job role, and more from O’Reilly and nearly 200 top publishers.
