O'Reilly logo

An Editor’s Guide to Adobe® Premiere® Pro, Second Edition by Jeff Greenberg, Robbie Carman, Richard Harrington

Stay ahead with the world's most comprehensive technology and business learning platform.

With Safari, you learn the way you learn best. Get unlimited access to videos, live online training, learning paths, books, tutorials, and more.

Start Free Trial

No credit card required

Appendix F. Working with 3D Source Material

If you’ve been to a movie theater or to an electronics store in the past few years, you’ve probably noticed that 3D (stereoscopic 3D, or S3D for short) has become quite a big deal. It seems like every other movie is touting that it’s in 3D, and many TV sets these days have 3D capabilities.

In this appendix, we’re not going to argue the merits of stereo 3D but rather arm you with the essentials of working with stereo footage in Adobe Premiere Pro and Adobe Creative Suite 6 Production Premium. The trend is that more and more editors are finding themselves working on stereo projects, but there is a scarcity of solid information available.

Essential Stereo 3D Terms

Before we jump into some of the particulars ...

With Safari, you learn the way you learn best. Get unlimited access to videos, live online training, learning paths, books, interactive tutorials, and more.

Start Free Trial

No credit card required