Foreword
In the mid-eighties a group of professional photographers, including myself, were invited to attend an early demonstration of the Quantel Graphics Paintbox system in action at a digital retouching house in Covent Garden, London. We all sat spellbound as we saw our scanned images instantly transformed by the magic of this new computer system. This was my first glimpse of the future of photography in a digital age. From that day forward I had always wanted to have my own computer retouching system and take control of the magic pen myself. However, I was soon brought back down to earth when I was told how much one of these systems would ...
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