Steve J & Yoni P 269
084
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Korean-born Steve
Jung and Yoni
Pai have carved a
reputation as fashion’s
newest prodigies.
The design duo has
shown at off-schedule
London Fashion
Week for four seasons,
receiving international
recognition. After
meeting in Korea 10
years ago, Steve and
Yoni shared a dream to
start their own label,
which became a reality
when they moved to
London to continue
studying fashion. Steve
completed both the
BA & MA menswear at
Central Saint Martins
and Yoni completed
the MA womenswear
at London College of
Fashion. Since winning
the Best Menswear
Award at CSM BA
graduation show in
2006 and Samsung
Fashion Design Fund
in 2007/2008, Steve J &
Yoni P have gone from
strength to strength,
being featured on
the front covers of
many international
publications and also
creating a distribution
line for Topshop, all in a
short space of time since
launching.
Steve J & Yoni P
www.stevejandyonip.com
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831 INSPIRATION. We spend lots of time
researching to  nd inspiration and themes
whenever we prepare a new collection. For
the S/S 09 collection, we got the inspiration
from architecture. So we have interpreted
sculptural elements, such as metals and
structured blocks, into a contemporary
and modern look.
832 R
EFERENCES. Our design comes
from our imagination and research. We
combine our imagination with the new
ideas from research and mold them into
the garment. But we try to translate our
concept into each item in an indirect way.
To obtain these effects on the catwalk,
we have combined elements of metallic
mesh and textured fabrics, together with
softer, colorful fabrics to get a more vibrant
look. By making use of manipulation
techniques, such as pleating and
draping, we have attempted to introduce
architectural factors into our garment, in
an innovative and exciting new way.
833 C
OLORS. Fine arts! We were
fascinated by Asger Jorn’s beautiful
paintings when we found them at Tate
Modern last summer. The way of his color
combination and childlike brush touch
gave us a color inspiration. So we used
orange, pink, and blue to form the base
palette for the collection, with silver and
gold as accent colors.
834 T
RADITIONAL MANUFACTURING VS.
EXPERIMENTATION. Our aesthetic would
be “experimentation!” Trying new things
and draping fabric onto a dummy is the
best moment in the design process. We
feel thrilled to  nd new and unexpected
creations. We also think it would be a good
idea for you to have some symbolic items
every season that best represent your
theme.
835 C
OMMUNICATION. Yes,
communication is very important so that
you don’t mess up orders and every single
aspect of the process. We think it makes
the work process faster and more efficient
in every business, even with creative
artists. And we are in charge of it in our
business as we control and direct our
assistant, the workers and factory people,
other material companies, etc.
270 1,000 Ideas by 100 Fashion Designers
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Steve J & Yoni P 271
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840
I
S FASHION ART? I can’t separate
fashion from art. They are
always affecting each other.
What we are doing is trying to
make art wearable. The most
challenging part is keeping
focused on what is wearable
and what is artcontrolling
our imagination–and making
the pieces acceptable to society
while still keeping it a part of
our own fantasy.
836 STYLE. We keep the identity of our
label. We also try to combine other  elds
of art in many ways. Fashion is becoming
a mixture of many art  elds. We’re just
going along with it and mixing things up.
We feel that we mature as we continue to
express our concept.
837 A
DVICE. Well, just do what you
love. Look into the future and broaden
your mind to set trends and create ideas
rather than to follow others.
838 G
OOD HABITS. We would say
creativity!” Think to yourself,“nothing is
impossible,” then you can create whatever
you think in your mind.
839 A
CKNOWLEDGEMENT. When we hear
“I want to live in your fashion world” from
any fashionista and editor!
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